Guitar Pedals & Effects

Effects more common to the world of acoustic guitar playing. Although there are no hard and fast rules, distortion is not a common effect with acoustic guitar. The parametric E.Q. is a fantastic addition to your acoustic set up allowing you endless sculpting of your tone or removing feedback at a gig. Reverb and modulation lend themselves well to acoustic guitar and the more modern mult ieffect units allow you to model different classic acoustic guitars from the rich in low end and full sounding dreadnought to the even tone of a smaller body and everything in between.

A chorus pedal is a modulation effect. The original signal is split and run through a short delay and then combined with the original signal. The delayed part of the signal can then be modulated to create movement to create a thicker tone. A classic effect used on elctric, acoustic and bass guitars.

In its simplist explanation a compressor makes the quiet parts of the signal louder and the louder parts quieter delivering a more consistant loudness. Can have the most subtle of effect through to the very obvious "snap". A compressor can also increase sustain and provide extra gain to push the front of your amp.

Control pedals and footswitches allow another method of controlling your instruments in realtime, allowing a more expressive performance.

DI boxes convert both line and instrument inputs into balanced outputs that can be used in any mixer or or device with balanced inputs.

From mild soft clipping overdrives, to germanium based fuzz circuits, to all out hard clipping high gain, these pedals give you the drive to suit your taste.

A good power supply is essential when putting together your peda lboard. Asside from keeping things tidy around your feet they can also provide different voltages to match the individual pedal requirements. Pedals can be powered either by daisy chainging them together or by using an isolatied powersupply. An isolated supply should eliminate ground loops and any associated hum, as there's no grounding path between the pedals.

The ultimate tool to sculpt your tone. From the more wide ranging graphic E.Q to allow control over bass,mid and treble to the parametric E.Q that allows you to boost or cut a specific frequency. An excellent tool for electric, acoustic and bass guitars.

A flanger pedal is a modulation effect. Essentially the same as chorus but with a shorter delay time and utilising delay feedback. The distinctive sound comes from modulating the delay time giving you the classic sweep sound.

If you're thinking of featuring a pedal in your set-up, or maybe even two or more, the chances are you're going to need some bits and pieces to help you get it all together…. We have connectors, extenders, fasteners, in fact pretty much everything you should need to get your sounds in order….

Boost pedals allow you make your sound "bigger" by adding more gain to your signal before it hits the input on your amp. They're typically used to help a solo cut through or to obtain a natural overdrive from your amp.

A looper pedal will record as you play and then at the press of the switch loop the part you have just played allowing you to play over the top of the loop.Build up layer after layer or use it to create a backing to solo over. An ideal tool for solo singer song writers who want to build a "live" backing track to sing and play over.

Pedal switchers allow multiple stomp boxes to be brought in and out of the signal chain with the push of a single footswitch. They can have multiple channels and allow individual loops to be configured to combine different effects together without having to switch the stomp boxes on/off individually giving the player easier control over their sound. Some switchers also offer advanced routing features, MIDI control as well as the ability to assign pre-sets.

The harmoniser can be as simple as adding one note an octave above or below as in the octaver through to adding the major or minor third and beyond.