LR Baggs Stadium DI Electric Bass DI Pedal

Studio-Grade Bass DI for the StageLR Baggs bass playing engineers originally developed this Stadium DI for their own use, this pedal infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Made up of carefully selected, “top shelf” components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs.

Engage the effects to open up an expansive range of colourful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California.

At A Glance • Growl control adds low end distortion for thickness and rich, harmonic content
• Drive button pushes the Growl to a full overdrive
• Comp EQ enhances the feel of playing while evening out your tone
• Attack sweeps between a wide range of warmth, clarity, and everywhere in between
• Fat switch boosts 150Hz +3dB or +6dB for a fuller, rounded tone
• VU meter visually optimizes gain for passive and active pickups
• All-discrete signal path with XLR and quarter inch outputs
• 48V phantom power, 9V battery or 9V DC powering options
• Pad boosts or cuts XLR out (-10dBV or +4dBu) to meet the needs of the PA
• Ground lift switch effectively eliminates ground-loop noise
• Rugged enclosure constructed of aluminum, steel, and ABS plastic
• Includes custom LR Baggs carrying case

GrowlDifferent from overdrives that use full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, offering just the right amount of edge to cut through the mix. For extra versatility, a paired Drive button pushes the Growl to a full-range overdrive.

Comp EQThe Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa.

AttackThis highly specific EQ affects a unique, medium-sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Turn left for warmer, muted jazz tones or right for added clarity and a punchier attack.