PreSonus

A Lot of Professional Studio equipment is designed to sit in a Rack Mount unit known as a 19" Rack because of its width. The Height of the modules designed to go inside it is set as a standard known as "1U" or One Rack Unit whose height is standardised at 1.752 inches (44.50mm). Although technology has changed a lot over the years, this format has remained the same.

Mixing desks come in Analogue and Digital varieties. Some have built in audio interfaces. Desks combine and route audio signals and mostly contain built-in microphone preamps.

Bags covers and cases for the storage and safe transportation of your equipment.A good case can sometimes save the life of your instrument, and even just a dust cover can protect it when it's not in use...

Most Digital mixers mimic the look of the old analogue desks, but have the advantage of no added noise,easy signal routing and being able to save and load whole templates. There are also usually many on-board effects getting rid of the need for external hardware.

Dynamic Mics dont require any external power and can handle loud SPL's. Great for live shows and mic'ing drums!

Dedicated Headphone amplifiers are a must when you are dealing with high end audio, and a seperate DAC is used to convert your digital music back into analogue so you can hear it...

Condenser (or Capacitor) microphones are fantastic for detailed recording work. When using them for vocal recording, think about if you need a pop filter (to stop plosives) or a reflection shield to minimise room noise on recordings and produce a clearer result. All condenser microphones need a power supply from somewhere, either battery or 48V Phantom Power from a desk or interface.

Control surfaces come in many size and shapes with smaller units offering basic playback control functionality and in the other extreme the larger units will replicate a complete mixing desk. Having a physical and tactile controller will allow quick and easy control over your software package of choice helping to improve your workflow in the studio.

Most Digital mixers mimic the look of the old analogue desks, but have the advantage of no added noise,easy signal routing and being able to save and load whole templates. There are also usually many on-board effects getting rid of the need for external hardware.

There are some products that fit perfectly alongside Monitor Speakers, and we've taken some of those and turned them in to 'Bundles'. These bundles are designed to be cheaper than if you bought the items seperately...

Open back headphones are renowned for their accuracy and wide stereo field when compared to closed back models. This makes them ideal for critical listening and mixdown work in the studio. Their open back design however make them less suitable for tracking, recording and location work.

Live PA covers everything from little portable systems up to Array speakers. Most of our systems are powered, so all amplifiers are built-in.

Microphone pre-amplifiers convert the signal from the microphone into a line level signal, SP/DIF digital or USB format. The use of a good preamp with a good condenser or ribbon microphone can produce some very accurate and detailed results.

Our range of sequencers are the ideal companions to any of our DAW systems. These software packages will allow you to record, edit and mix your music inside the PC to a standard that only a few years ago required a professional studio to achieve.

These controllers are designed to give tactile, hands-on control over DAW sequencer software.

Analogue monitor controllers are a very important part of a modern digital studio. Most interfaces only have digital volume controls, which actually reduce the bit depth of the signal as well as turning the volume down. By using an analogue controller, you retain the full bit depth and detail at low volumes.

Studio subwoofers are designed to compliment your monitoring setup. It is often advisable to match your subwoofer to you main monitoring setup, to ensure the smoothest frequency response and most accurate listening enviroment.

Thunderbolt interfaces use an extremely fast connection to not only offer very low latency audio, but many also offer dedicated DSP processing, which wont put any load on your CPU.

USB & Firewire audio interfaces offer high quality inputs and outputs for recording and playing back your audio. With the added advantage of being easy to transport and move between systems, they are a popular solution for performers wishing to have a single high quality interface they can move between the studio and stage with ease. USB audio interfaces due to their portability and often great value remain perhaps the most common audio interfaces in use today. With USB being the computer worlds most widely supported connection standard, through using an USB audio interface it allows us the flexibility of having it either in the studio or to easily take it out on the road with you. This means that you can use the same high quality audio I/O connections and quality recording signal path found within your audio interface, no matter where your projects may take you. Regular USB audio interfaces are likely to be based around the classic USB connection

USB Mics include a digital converter, most dont have conventional XLR sockets, but provide an easy way of recording vocals into your computer. Fantastic for recording speech and voiceovers.