Warm Audio

A Lot of Professional Studio equipment is designed to sit in a Rack Mount unit known as a 19" Rack because of its width. The Height of the modules designed to go inside it is set as a standard known as "1U" or One Rack Unit whose height is standardised at 1.752 inches (44.50mm). Although technology has changed a lot over the years, this format has remained the same.

A Lot of Professional Studio equipment is designed to sit in a Rack Mount unit known as a 19" Rack because of its width. The Height of the modules designed to go inside it is set as a standard known as "1U" or One Rack Unit whose height is standardised at 1.752 inches (44.50mm). Although technology has changed a lot over the years, this format has remained the same.

DI boxes convert both line and instrument inputs into balanced outputs that can be used in any mixer or or device with balanced inputs.

From mild soft clipping overdrives, to germanium based fuzz circuits, to all out hard clipping high gain, these pedals give you the drive to suit your taste.

Condenser (or Capacitor) microphones are fantastic for detailed recording work. When using them for vocal recording, think about if you need a pop filter (to stop plosives) or a reflection shield to minimise room noise on recordings and produce a clearer result. All condenser microphones need a power supply from somewhere, either battery or 48V Phantom Power from a desk or interface.

A phaser pedal is a modulation effect.Similar to a chorus but instead of delay it utilises all-pass filters. When mixed back with the original signal it creates comb filtering giving the swirling effect.

Microphone pre-amplifiers convert the signal from the microphone into a line level signal, SP/DIF digital or USB format. The use of a good preamp with a good condenser or ribbon microphone can produce some very accurate and detailed results.