Moog Muse 8-Voice Analogue Bi-Timbral Polyphonic Synthesizer
Moog - Muse, 61-Key 8-Voice Analogue Bi-Timbral Polyphonic Synthesizer, 44 Knobs, 16 Sliders, 129 Buttons
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8-Voice Analogue Bi-Timbral Polyphonic Synthesizer
Moog - Muse
made of dreams, design, and passionThe Moog Muse is an intuitive and powerful instrument built on the rich history of Moog that simultaneously looks further into the future. This studio or performance centerpiece is driven by eight analogue voices, each with two VCOs, modulation VCO, dual VCFs, and a stereo VCA — all with that recognizable, kinetic analogue quality.
Muse represents a melting pot of classic Moog designs paired with forward-thinking controls in one complete instrument. Moog selected the very best of vintage Moog circuits to create Muse – inspired by Moog Voyager oscillators, MF-102 Ring Modulator, CP3 Mixer, 902 VCA module, and a 904a Filter.
Featuring 16 banks of 16 patches, you’ll find beautiful pads, organic FM plucks, attention-grabbing leads, subterranean basses, stage-oriented key splits, along with 2 banks reserved for your own sonic discoveries. Explore and express yourself endlessly with cutting-edge digital controls for powerful modulation capabilities, dedicated macro control, customizable envelopes, and multiple flexible LFOs. Shaping sound with Muse is a pleasure — the synthesizer and synthesist grow as one as the adventure continues for years to come.
At A Glance
• Polyphonic, Bi-timbral Analogue Synthesizer
• 61 full-size semi-weighted Fatar keybed
• 44 knobs, 16 sliders, 129 buttons
• Pitch and modulation wheels
• 16 banks of 16 patches
• OLED screen
Limitless Possibilities
performance-orientedMuse was designed for, and by, modern musicians, producers, and sound designers who appreciate performance-oriented controls, intuitive knob per function layout, and “More” menus for every module. Built for stage and studio with a 61-key Fatar keyboard with velocity and channel aftertouch, a left-hand controller with pitch and mod wheels, and a programmable Macro knob makes the experience of interacting with Muse inspiring, intriguing, and innately playable.
A hypnotic stereo Diffusion Delay™ processor was inspired by golden era vintage digital rack delays with a unique and powerful set of diffusion, multi-tap, and filter behaviors. Craft complex echoes and diffused tonal smears that add dimension and depth to any patch.
Along with Muse’s creative immediacy, the powerful arpeggiator invites you to generate melodic ideas with compelling patterns and rhythms. With Muse’s deep sequencer, you'll unravel unique patterns and gestures — further develop these discoveries with parameter recording, generative/probabilistic functions, and detailed editing of every note in the sequence — Moog Muse is a limitless canvas of musical exploration.
The Best of the Best
all in oneA combination of classic Moog analogue circuit designs together with forward-thinking digital controls in one complete instrument.
Muse combines discrete oscillators derived from the Minimoog Voyager, brought together by a saturating mixer, dual transistor ladder filters, and stereo discrete VCAs all inspired by Moog Modular circuits.
Stage to Studio
intuitive designWith performance-oriented controls, an intuitive knob-per-function layout, and “More” menus for every module, Muse was created for, and by, modern musicians, producers, and sound designers.
In addition to Muse’s creative immediacy, a powerful arpeggiator, chord memory, and a polyphonic sequencer provide deep editing capabilities and generative behaviors that fuel musical expeditions.
Mesmerizing
powerful toolsA hypnotic stereo Diffusion Delay™ processor was inspired by golden era vintage digital rack delays with a unique and powerful set of diffusion, multi-tap, and filter behaviors.
Craft complex echoes and diffused tonal smears that add dimension and depth to any patch.
Moog Muse | Factory Preset Tour | All Sounds, No Talking
The Tech Spec
| Features | Specification | Synthesizer Type | Polyphonic, Bi-timbral Analog Synthesizer |
|---|---|
| Sound Engine | Analogue |
| Polyphony | 8 Voices |
| Keybed | 61 full-size semi-weighted Fatar keybed with Velocity and channel Aftertouch |
| Controllers | Pitch Wheel, Modulation Wheel, Macro Knob, Keyboard Octave switch, Hold switch, Sustain Pedal input, Expression Pedal input – all pedal functions are assignable |
| Panel Controls | 44 knobs, 16 sliders, 129 buttons – OLED screen |
| Analogue Voltage-Controlled Oscillators | (x2) Selectable Triangle/Sawtooth mix, variable width Pulse wave, Octave (16’, 8’, 4’, 2’), Frequency (+/- 7 Semitones), Wave Mix (blends Triangle/Sawtooth with variable Pulse wave), FM routing and amount, Hard sync |
| Analogue Ring Modulator | Ring modulation between Oscillators 1 and 2 |
| Analogue Voltage-Controlled Modulation Oscillator | Selectable waveform (Sine, Sawtooth, Reverse Sawtooth, Square, Noise), Audio range toggle switch, Keyboard tracking, Keyboard reset, Unipolar switch, Pitch Modulation routing and amount, Filter Modulation routing and amount, Pulse Width Modulation routing and amount, VCA Modulation amount, Panning switch |
| Analogue Noise Generator | White noise |
| Analogue Voltage-Controlled Mixer | Independent level control for OSC 1, OSC 2, RING, MOD OSC, and NOISE. Overall OVERLOAD control |
| Analogue Voltage-Controlled Filters | (x2) Moog transistor ladder filters (1 with highpass/lowpass modes), Cutoff Frequency, Resonance, KB Tracking Amount, Envelope Amount, Linked Operation, Routing (Series, Parallel, Stereo) |
| Envelopes | (x2) Attack, Decay, Sustain, Release, variable curves per stage, Multi-trig, Loop, Velocity |
| Analogue Voltage-Controlled Amplifier | Volume per Timbre, Pan position per Timbre, Pan Spread per timbre |
| Diffusion Delay | Configurable stereo signal processor, Delay Time Left, Delay Time Right, Feedback, Character, Mix, analog bypass switches (to maintain 100% analog signal path) |
| Output Section | Master Volume, Headphones Volume, Low Cut EQ |
| LFO | (x2) Rate, Amplitude, Waveform selection (Triangle, Sawtooth, Square, Sample-and-Hold, User customizable), Keyboard Reset |
| Pitch LFO | Rate, Ramp Down through Triangle to Ramp Up Shape control, One-Shot Envelope toggle, Keyboard Reset, Pitch Modulation routing and amount |
| Glide | Selectable glide type (LCR, LCT, EXP), Glide amount |
| Clock | Clock rate, Tap Tempo |
| Arpeggiator | Per-timbre with Clock Division, Octave range, Pattern, Direction, Gate time, Rhythmic programming, etc. |
| Sequencer | 64-step sequencer with Clock Division, Transport controls, Sequence chaining, Step editing, Modulation capabilities, and memory capacity of 16 banks of 16 sequences |
| Programmer | Browser via OLED screen with 16 banks of 16 patches, Mod Map, Arpeggiator settings, Sequencer with per-step settings, Global settings, etc. |
| Voice Control | Mono or poly voice count per timbre, Unison/Mono, Detune, Timbre editing, Voice stealing configuration |
| Chord Memory | Chord memory with per-key functionality |
| Mod Map | 16 modulation slots per timbre per patch with controllers and mathematical transform functions |
| Rear Panel | Audio Outputs: Main Left, Main Right (¼" TRS) Headphones: Stereo ¼" (located on the front edge of the Left Hand Controller) Pedal Inputs: Sustain, Expression (¼" TRS; Configurable through Mod Map or for use as ¼" TS CV inputs) Control Voltage Inputs: CV IN 1, CV IN 2 (1/8” TS) Control Voltage Outputs: CV OUT 1, CV OUT 2 (1/8” TS) ANALOG CLOCK INPUT: CLOCK IN (1/8” TS) ANALOG CLOCK OUTPUT: CLOCK OUT (1/8” TS) MIDI: 5 Pin DIN MIDI IN, OUT, THRU; MIDI over USB USB B: USB-B connector for interfacing with a computer or other host MIDI device USB A (HOST): USB-A connector for connecting to other instruments with Muse as the MIDI host POWER: STYLE: IEC Cable INPUT: 100 – 240VAC; 50 Hz – 60 Hz |
