Death By Audio Supersonic Fuzz Gun Effects Pedal

A TRUE FREAK OF A PEDALForget polite, predictable fuzz. The Death By Audio Supersonic Fuzz Gun is built for players who want to push distortion into strange, unstable and thoroughly unruly territory. Its highly interactive controls produce everything from thick, gated fuzz to abrasive buzzsaw tones, sputtering textures and piercing self-oscillation, making it as much a noise-making instrument as a conventional guitar effect.

Five controls give you plenty of scope to manipulate its character. Bias adjusts the output transistor to change the overall response of the fuzz, while Density shapes the frequency range feeding the circuit and influences the oscillation frequency in Oscillation mode. Fuzz controls the intensity and harmonics, Filter sweeps the high frequencies to alter the edge of the sound, and Level sets the output volume.

A dedicated Gate/Oscillation toggle opens up two distinct approaches. Gate mode delivers a more controlled, gated fuzz response, with abrupt cut-offs and sputtering decay. Switch to Oscillation mode and the pedal generates its own tones, producing howls, chirps and unruly drones even when you're not playing. Adjusting the controls and your guitar's volume can steer these self-generated sounds into new and unpredictable territory.

The real appeal lies in how the controls interact. Small adjustments can have a dramatic effect on the sound, encouraging experimentation rather than relying on a handful of familiar settings. Dial in warmer, fuller fuzz for heavy riffs, push towards harsh, cutting distortion, or let the circuit run wild for experimental passages and feedback-like textures.

With its distinctive analogue character and deliberately unpredictable behaviour, the Death By Audio Supersonic Fuzz Gun is a compelling choice for adventurous guitarists, noise-rock players and sound designers looking for an effect that refuses to stay in its lane.

at a glance • Unpredictable Analogue Fuzz — Ranges from thick, gated distortion to abrasive, sputtering tones and harmonically rich noise.
• Gate & Oscillation Modes — Switch between tightly gated fuzz and self-generated squeals, drones and oscillating textures.
• Five Interactive Controls — Bias, Density, Fuzz, Filter and Level offer extensive control over the pedal’s response and tonal character.
• Adjustable Bias & Density — Shape the fuzz circuit’s behaviour, frequency response and oscillation characteristics for distinctive sounds.
• Experimental Sound Design — Create everything from aggressive riffs and cutting leads to unstable noise textures and sound effects.