ADAM T5V 5" Nearfield Monitor Speaker
ADAM T5V 5" 2-way Nearfield Monitor Speaker (Single)
|Instalment Rate:||14.9% p.a. (fixed)|
|Cost of purchase:||£125.00|
|Total inc. interest:||£130.15|
|Instalment Rate:||14.9% p.a. (fixed)|
|Cost of purchase:||£125.00|
|Total inc. interest:||£134.66|
Purchase Rate: 17.9% p.a. (variable)
Representative: 17.9% APR (variable)
Assumed Credit Limit: £1,200Subject to status. Terms and Conditions apply.
By DPD On 25th Feb 2019
to your specified address. |
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Weekend, timed and European delivery options are available at checkout
Have your parcel delivered by DPD to your specified address. Receive SMS with one-hour delivery windowWeekend, timed and European delivery options are available at checkout
Collect from our Bolton store, BL6 6PE |
Order online, collect from our Bolton store (25-28 Enterprise Park, Middlebrook, Horwich, Bolton, BL6 6PE)
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Protect against installation damage for 28 days.
ScanProtect is an enhanced warranty specifically designed and offered by Scan to reduce the risk of any mishap or damage to components during installation.
Our aim with ScanProtect is to encourage our customers to upgrade or build their own PC confidently. For a small additional fee our customers are provided with complete peace of mind.
ADAM T5V Nearfield Studio Monitor
The T5V is a highly affordable two-way nearfield monitor and optimized for small control rooms.
With its 5” woofer the bass-frequency response of the T5V extends to 45 Hz. The new U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.
A beveled cabinet with a rear-firing bass reflex port and a small footprint allows placement anywhere in your room, no matter how small, and contains built-in DSP-controlled driver crossovers and equalization as well as multi-way analog connections. Powered with a 50 W Class D amplifier for the woofer and a 20 W Class D amplifier for the U-ART tweeter, the T5V produces SPLs of up to 106 dB per pair.
Excellent acoustic characteristics, small dimensions and an outstanding cost/performance ratio make this studio monitor perfectly suited for use in small control rooms in music, video and broadcast production.
U-ART™ High Frequency Driver
The new U-ART 1.9” accelerated ribbon tweeter, as used in the T Series, is made of a high-tech polymide film and provides pristine and extended high-frequency response up to 25 kHz—virtually unheard of in monitors in this price range, and a breakthrough solution for use in high-resolution recording and mixing on a budget. Unlike a conventional dome or cone tweeter that uses a piston action to move air and reproduce sound, the U-ART tweeter uses a pleated ribbon that alternately draws air into its folds and squeezes it out as the folds respectively expand apart and press together in response to inputted audio signal. This design produces four times as much air movement as does a piston-based design, creating higher sound pressure levels (SPLs) with lower distortion.
The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series studio monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.
The HPS (High-frequency Propagation System) waveguide was initially designed at ADAM Audio for the S-ART tweeter of the S Series range with the aid of the latest computer modeling techniques. It hones the dispersion of the speakers to an even, uniform consistency, broad in the horizontal axis but tightly focused in the vertical plane. This minimizes potentially distracting reflections from the horizontal surfaces of significant studio furniture (for example mixing consoles), ensures that imaging remains constant, and creates a large, well-controlled and stable ‘sweet spot’, even at high output levels.
The U-ART tweeter as used in the T Series is fitted to a precision waveguide with the same dispersion-control attributes as the HPS waveguide used in ADAM Audio’s flagship S Series studio monitors.
PWM – Pulse Width Modulation
In recent years amplifier technology experienced its second big change after going from tubes to transistors some 40 years ago. You can still find semiconductors in this new generation of amplifiers, but the signals to be amplified are treated in a completely new and different way.
Pulse Width Modulation
PWM (Pulse Width Modulation) – sometimes referred to as Class D amplification, sometimes called Switching Amp Technology – converts the incoming signal to a series of rectangular waveforms of equal height. The width of the rectangles varies in time and the relation of the width of the rectangles represents the musical signal. This waveform can be amplified much more simply, as the transistors are not modulated anymore; instead they are used as switches that only turn the power supply voltage on and off.
It is possible that a very fast mechanical switch could do the job, but power transistors are a better choice for the task, so PWM amplifiers still work pretty much like conventional Class AB designs. It is important to note there are no bits and bytes involved, so “Digital Amplifier” is a misleading and inaccurate term.
Advantages of PWM
The main advantage of PWM amplifiers is their extremely high efficiency (>90%). As a consequence the heat to be dissipated is only one fifth of earlier designs, leading to much lower temperatures within the amps and making the use of heat sinks obsolete.
This principle has been known for decades, but time was needed to develop units that perform at the leading edge in sonic reproduction quality and yet still maintain the high efficiency mentioned previously. The ADAM units use the new technology for both the amp and the power supply section (i.e. no more transformers) combined with state of the art input and filter sections to achieve the best in multi-channel active studio monitoring.
If you need to hear more bottom end, the T5V is compatible with the ADAM Sub7 and Sub8 subwoofers.
• New polypropylene 5” woofer and rear-firing bass-reflex port
• Max. peak SPL at 1 m per pair: 106 dB
• Built-in Amplifiers: 2 x Class-D
• Amplifier Power U-ART Tweeter: 20 W [RMS]
• Amplifier Power Woofer: 50 W [RMS]
• Frequency Response: 45 Hz – 25 kHz
• Crossover Frequency: 3 kHz
• Analog Inputs: XLR, RCA
• H x W x D: 298 mm x 179 mm x 297 mm [11.7“ x 7“ x 11.7“]
• Weight: 5,7 kg [12.6 lbs]
• Warranty: 2 years plus 3 years upon product registration in the MyADAM user area
|Total Wattage (RMS)||50|
|Frequency Response||45 Hz – 25 kHz|
|Max SPL||106 dB|
|Cone Size||5 Inch|
Please note your statutory rights are not affected.
For further information regarding Scan's warranty procedure please see our terms and conditions
- 24 months
- Return to base
- DOA Period:
- 28 days
- RTB Period:
- 12 months
This warranty complements any national/regional law obligations of dealers or national distributors and does not affect your statutory rights as a customer. Neither other transportation, nor any other costs, nor any risk for removal, transportation and installation of products is covered by this warranty. Products whose serial number have been altered, deleted, removed or made illegible are excluded from this warranty.
The warranty will not be applicable in cases other than defects in materials and/or workmanship at the time of purchase and will not be applicable:
for damages caused by incorrect installation, connection or packing,
for damages caused by any use other than correct use described in the user manual,
for damages caused by faulty or unsuitable ancillary equipment,
if repairs or modifications have been executed by an unauthorized person,
for damages caused by accidents, lightning, water, fire heat, public disturbances or any other cause beyond the reasonable control of ADAM Audio.
HOW TO CLAIM REPAIRS UNDER WARRANTY
Should service be required, please contact the ADAM Audio dealer where the product has been purchased.
If the equipment is being used outside the country of purchase, the international shipping costs have to be paid for by the owner of the product. Service may be supplied by your ADAM Audio national distributor in the country of residence. In this case, the service costs have to be paid for by the owner of the product whereas the costs for parts to be repaired or replaced are free of charge. Please visit our website to get the contact details of your local distributor.
To validate your warranty, you will need a copy of your original sales invoice with the date of purchase.