Tascam - TM DRUMS - Microphone Set for Drums
Tascam - TM DRUMS - 4-Microphone Bundle For Drum Recording
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4-Microphone Bundle For Drum Recording
Tascam - TM-Drums
better sounding drums - now!
TM-DRUMS is a set of four microphones tailored for getting a good drum sound with ease using a Tascam multi-track recorder or audio interface with DAW software. Especially designed for beginners who cannot afford separate mics for each and every part of the drum kit, this mic set meets the minimum requirements for multi-microphone recordings and can even be handled by people who are not yet so familiar with creating a good sounding mix with many sources.
TM-DRUMS comprises of one dynamic mic designed for the bass or kick drum, another dynamic mic designed for the snare, and two condenser mics that can be used for hi-hat, toms and cymbals. Each of the three mic types has its own special characteristics to enhance the instrument it was made for.
The TM-50DB’s frequency response delivers a thick bass thump with the right amount of punch, while the TM-50DS enhances the special character of the snare drum with attack and clarity. The TM-50C microphone can be used as an overhead microphone to capture the sound of your hi-hat and cymbals. As a condenser microphone, it handles high sound pressure levels and captures a wide frequency range. Since there are two of these in the set, you can also use that pair to easily create a stereo recording of the entire drum kit, supported by the two mics for kick and snare drum.
at a glance
• TM-50DB Dynamic Cardioid Kick-Drum Mic
•
TM-50DS Dynamic Cardioid Snare Mic
• 2x TM-50C Condenser Overhead Mics
• Includes Mic Clips and Stand Mounts
• Hard Carrying Case
• 2x Windscreens
Capture The Pefect Drum Sound with a Stereo Setup!
a wide stereo image Creating a great-sounding drum sound is not hard to accomplish. With two overhead microphones and separate mics for the kick drum and snare drum, you'll get a wide stereo image with clear highs. Start with the overheads and try out different positions until you find that toms, cymbals and hi-hat build a balanced base sound. Then, add a thick kick drum and a well-defined snare drum to that base sound with their separate mics.
'More Hi-Hat Please!'
'greater influence on the basic instruments'
If a clear hi-hat is important to your music, you can emphasize it by placing one of the TM-50C over the hi-hat and use the second TM-50C as overhead on the other end of your drum kit. By going this way, you will have more influence on the basic instruments: kick, snare, and hi-hat.
You will certainly find a good position for the overhead mic were it can capture the rest of your kit. This approach does not deliver a stereo image like with two overheads but it still gives you some amount of width when panning the hi-hat to one side and the overhead to the other side.
Kick Drum Microphone
The Tech Spec
Features | Specification | Model | TM-50DB |
---|---|
Type | Dynamic |
Polar Pattern | Cardioid (unidirectional) |
Frequency Response | 50 to 15 kHz |
Output Impedance | 400 Ohms +/-30% (at 1 kHz) |
Load Impedance | <1 kOhms |
Sensitivity | -55 dB +/-3 dB (0 dB= 1 V/Pa at 1 kHz) |
Connector | 3-pin XLR, male |
Dimensions | 2.3 x 4.7 x 4.5" (59 x 118 x 115 mm) |
Weight | 16 oz (460 g) microphone body only |
Snare Microphone
The Tech Spec
Features | Specification | Model | TM-50DS |
---|---|
Type | Dynamic |
Polar Pattern | Cardioid (unidirectional) |
Frequency Response | 50 Hz to 14 kHz |
Output Impedance | 350 Ohms +/-30% (at 1 kHz) |
Load Impedance | <1 kOhms |
Sensitivity | 60mm (W) x 112mm (D) x 47.5mm (H) |
Connector | 3-pin XLR, male |
Dimensions | 1.7 x 4.1 x 3.9" (42.5 x 105.0 x 98.0 mm) |
Weight | 12 oz (330 g) microphone body only |
Overhead Microphones
The Tech Spec
Features | Specification | Model | TM-50C |
---|---|
Type | Condenser |
Polar Pattern | Cardioid (unidirectional) |
Frequency Response | 30 Hz to 18 kHz |
Output Impedance | 100 Ohms +/-30% (at 1 kHz) |
Load Impedance | <1 kOhms |
Sensitivity | -38 dB +/-3 dB (0 dB= 1 V/Pa at 1 kHz) |
Maximum SPL | 130 dB |
Signal to Noise Ratio | 74 dB |
Connector | 3-pin XLR male |
Dimensions | 0.8 x 4.6 x 0.8" (21 x 117 x 21 mm) |
Weight | 3.0 oz (85 g) microphone body only |