MOOG Subharmonicon
MOOG Subharmonicon Subharmonic semi-modular synthesizer
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Moog - 'Subharmonicon'
semi-modular analogue
polyrhythmic synthesizer
Meet the Subharmonicon! Moog’s latest innovation is a semi-modular Polyrhythmic Analogue Synthesizer and the most recent addition to Moog’s famous semi-modular family. Featuring 2x VCO’s, 4x Subharmonic Generators, 2x sequencers and 4x Rhythm Generators, the Subharmonicon delivers a rich harmonic kaleidoscope that divides into itself until everything that is up becomes down!
Since the original's inception in 2018 as an ultra-limited edition build-it-yourself kit (limited to 120 units worldwide!), the Subharmonicon has been one of the most requested public releases from the Moog synthesizer community.
At a glance
• Updated design of the highly sought after 2018 Moogfest Engineering Workshop Instrument.
• Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.
• Two 4-step sequencers capable of triggering polyrhythmic patterns
• 6-tone chord generation via two oscillators and four subharmonic oscillators
• 32 patch points with 3.5mm MIDI Input (MIDI Type A adapter included for converting DIN to 3.5mm)
x2Analogue VCOs
x4Subharmonic Oscillators
x4Rhythm Generators
2 Analogue VCOs - 4 Subharmonic Oscillators
Onboard quantizationMoog’s Subharmonicon is a semi-modular polyrhythmic analogue synth that utilises a 6-tone sound engine and multi-layered sequencers to delve deep into an exciting realm of subharmonics, polyrhythms and the unique relationships between them.
The Subharmonicon’s signature sound begins with two analogue VCOs and four Subharmonic Oscillators for a total of six hugely powerful sound sources. Each subharmonic tone is cleverly mathematically derived from one of the two main VCOs, gifting the resulting chord shapes a wonderfully coherent nature. Integrated quantisation lets you dial in perfect intervals each time with selections for numerous tuning systems. Opt for the contemporary ‘Equal Temperament’ settings, the sparkling intervals of ‘Just Intonation’, or the uninhibited freedom of no quantisation at all.
Dual 4-Step Sequencers
32-point 3.5mm patchbay
Animating Subharmonicon’s distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon’s dual Envelope Generators, Moog Ladder Filter, and analogue VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.
Although no patching is required to start creating, exploring Subharmonicon’s modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon’s onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear.
'Music as Living Matter'
composed entirely on SubharmoniconElectronic music pioneer Suzanne Ciani and multidisciplinary visual artist Scott Kiernan invite you to reimagine conventional ideas of music, sound, and expression through a delicate balance of mystery and order in this experimental piece composed entirely with the new Moog Subharmonicon synthesizer and analog video synthesis techniques.
The film’s visuals and narration offer a deeper understanding of the instrument, drawing inspiration from the language and illustrations found in Bob Moog’s old copy of Joseph Schillinger’s book “The Mathematical Basis of the Arts.” Engage your imagination as the rhythmic ping-ponging of Ciani’s score meets Kiernan’s depiction of the evolving shapes, forms, and textures Subharmonicon’s sound creates.
The Tech Spec
Analogue Sound Engine | Sources | VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2 |
---|---|
Filter | Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24 dB/Octave) |
Envelopes | VCA EG (Attack, Decay); VCF EG (Attack, Decay) |
Analogue Sequencers (x2) | |
Steps | 4 Steps per Sequencer, selectable Quantization |
Clock | Driven by any and all of the Rhythm Generators |
Rhythm Generators (x4) | |
Rhythm | Derived by dividing the Tempo by an integer value (1-16) |
Clock | 20 BPM to 3,000 BPM (Beats per Minute; 1 Pulse per Quarter-note), MIDI Clock, EXT CLOCK |
Patchbay | |
Jacks | 32 x 3.5mm |
Inputs | 17 Input Jacks |
Outputs | 15 Output Jacks |
MIDI | 3.5mm MIDI Input (Type A dongle included) |
Rear Panel | |
Audio | 1⁄4” TRS Headphone or 1⁄4” TS Instrument |
Power | Power supply connection |
Security | Kensington lock slot |