Kali Audio Project Lone Pine Studio Monitor LP-6 v2 (Black)
Kali Audio - LP-6 V2, 6" Powered Studio Monitor - Single
- SCANPROTECT Protect against installation damage for 28 days. More info
6" Powered Studio Monitor
Kali - LP-6 V2
(Single)
Project Lone Pine - 2nd Wave"Kali’s celebrated LP-6 and LP-8 studio monitors just got a major upgrade. With improvements in the noise floor, output level, frequency response, and distortion, the 2nd Wave of Project Lone Pine are the best monitors you can buy for under £500 a pair."
Transparency. Clarity. Accuracy.Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
The 2nd Wave goes even further, utilizing a more robust DSP for an even flatter frequency response on the top end.
80WClass D Power
39 HzLower Frequency Response
< 3% System THD94 dB @ 1M
115 dBMax SPL
at a glance
• Ideal For Content Creators and Pro Mixers
• 3D Imaging via Advanced Wave Guide
• Precision Frequency Reproduction
• Pristine Class-D Bi-Amplification
• TRS, XLR & RCA Inputs
Accuracy
pinpoint precisionThe LPs have always been praised for their accuracy, and we’re pleased to share that the 2nd Wave versions realize slight but noticeable improvements in that regard, particularly on the top end. Full resolution measurement data is available below. The data chart may be imported into REW for viewing.
Immersive and Mounting
'build an immersive mixing rig without breaking the bank'Kali’s LP-Series speakers represent one of the most budget-friendly ways to get into immersive mixing formats like Dolby Atmos. With complete systems starting at around $3000, you can build an immersive mixing rig without breaking the bank. Importantly, Kali’s users enjoy excellent translation across a variety of systems, so when you’re mixing a high profile project, you know your client will be happy and the mix will sound its best.
Ease Of Use
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. For the 2nd Wave, the boundary EQs have been updated for using the speakers on a desk with monitor stands.
Technology
3-D Imaging WaveguideThe waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port TubeWe wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Introducing the 2nd Wave of the LP-Series
The Tech Spec
| Features | Specification | Monitor Type & Configuration | Active 2-Way |
|---|---|
| Total Power Output | 80 W |
| Tweeter | 1x 1" / 25 mm Soft Dome |
| Woofer | 1x 6.5" / 16.5 cm Cone |
| Frequency Range | 39 Hz to 25 kHz (-10 dB) |
| Audio I/O | 1x 1/4" TRS Balanced Input 1x XLR 3-Pin Balanced Input 1x RCA Unbalanced Input |
| Amplifiers | HF: 1 x 40 W Class-D Low-Mid: 1 x 40 W Class-AB |
| Maximum Sound Pressure Level (SPL) | 112 dB |
| Total Harmonic Distortion (THD) | ≤1.5% |
| Analog Input Sensitivity/Gain | +4 dBu / -10 dBV |
| EQ | 1x HF Shelf: -2 to +2 dB (2 dB Increments) 1x LF Shelf: -2 to +2 dB (2 dB Increments) |
| Crossover Frequency | 1.3 kHz |
| Dimensions (W x H x D) | 8.7 x 14.1 x 10.2" / 22.2 x 35.9 x 26 cm |
| Weight | 7.0 kg |
