Blackmagic Design URSA Cine 12K + EVF Camera
Blackmagic Design URSA Cine 12K + EVF, Full Frame Camera Body, 12K100, 8TB Storage, 16Stops Dynamic Range, PL/EF Mount
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Blackmagic - 'URSA Cine 12K LF + EVF'
Introducing the World's Most Advanced Digital Film CameraBlackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post-production workflow. That means it's the first digital film camera with fast, high capability storage built in, plus high-speed networking for on-set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36x24mm image sensor with larger photo-sites for an incredible 16-stop dynamic range. You can also swap between PL, LPL, EF, and Hasselblad H lens mounts. Blackmagic URSA Cine comes with a massive 8TB of removable high-performance media storage built in and also includes high-speed 10G Ethernet, WiFi for fast media upload and syncing to Blackmagic Cloud and URSA Cine EVF Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.
What's Included
• Blackmagic URSA Cine 12K LF camera with PL lens mount
• Blackmagic Media Module 8TB
• Blackmagic Media Module Case
• Blackmagic URSA Cine Handle and bolts
• Blackmagic URSA Cine Top Rod Mount
• Blackmagic URSA Cine Baseplate 19
• Blackmagic URSA Cine Battery Plate B Mount
• Blackmagic URSA Cine Rubber Caps for connectors
• Blackmagic URSA Cine WiFi Antennas
• Blackmagic URSA Cine Mount EF and mount screws
• Blackmagic URSA Cine 24V 250W power supply
• Blackmagic EF Body Cap
• Blackmagic PL Body Cap
• Plastic folding screen hood for 5” LCD
• Blackmagic URSA Cine EVF
• Blackmagic URSA Cine EVF Rotating bracket with 19mm carbon fibre rod
• Blackmagic URSA Cine EVF Bracket rod mount
• Blackmagic URSA Cine EVF Extension
• 2 short carbon fibre 15mm rods
• 1 x long USB viewfinder cable. Right angle to straight
• 1 x short USB viewfinder cable. Right angle to straight
• 1 x short USB viewfinder cable. Right angle to right angle
• Rubber eyecup
• Fabric eye chamois
• DaVinci Resolve Studio with activation key
• Welcome wallet with QR code for software download
• Blackmagic Design Sticker
• Pelican 1560 Case with custom foam
Cinematic Large Format Sensor
Revolutionary 12K SensorURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K. The 12K RGBW Super 35 sensor featuring a large-format design with larger photo-sites, delivering an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible colour super sampling. This means it is optimised to deliver incredibly rich colours at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever. Plus, in-sensor scaling means you can record at all resolutions without cropping.
A Camera Body Optimized for High End ProductionsURSA Cine is designed to meet the demands of any high-end production. The camera body is built with a robust magnesium alloy chassis and lightweight carbon fibre polycarbonate composite skin to help you move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold-out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls. Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.
Large Format Flexibility
Ultimate in FlexibilityThe large format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats. The full sensor area of the 12K LF gives you a stunning 3:2 open gate image, while the 17K 65 model provides a cinematic 2.20:1 image. Both models let you use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.
Interchangeable Lens Mount
the Freedom to ChooseDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.
High Resolution Monitoring and Camera Control
Large 5" HDR TouchscreenURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus.
Professional Connectivity
Rugged Industry Standard ConnectionsThe wide range of industry standard connections on URSA Cine make it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for on-board accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling. There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.
Blackmagic RAW
Blackmagic RAW Fueled Image CaptureBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.
Generation 5 Color Science
Massive amount of colour dataBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.
Built in Optical Low Pass Filter
Ideal for Virtual ProductionThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.
Built-in Colour Balanced ND Filters
2, 4, and 6 Stop NDURSA Cine 12K LF features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.
Record 120fps 8K Slow Motion
Full Frame Capture at Higher Frame RatesURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options, and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.
Ultra-Fast Storage
High Performance Internal Media for RecordingURSA Cine is the first digital film camera with ultra-fast, high-capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration.
Full 12K LF Open Gate Sensor 12,288 x 8040 @ 24fpsBlackmagic RAW features both constant quality and constant bitrate encoding options, giving you the flexibility to prioritize image quality or file size so you can better tailor your production costs
Accelerate Your Post Production
Eliminate Media Offload TimeBlackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and colour correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.
Accelerate Your Post Production
Live sync and edit media on DaVinci Resolve while the camera is rollingBlackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and colour correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.
Three Post Production Workflows
1. Record to Internal StorageYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.
2. Select and Upload ClipsIf you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.
3. Live Sync into DaVinci ResolveLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. As the camera’s recording, the media will continuously upload and sync to all DaVinci users on that project.
Built-in Hardware Streaming Engine
LIve Stream Directly to your ClientNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening.
Blackmagic URSA Cine EVF
High Resolution Viewfinder for Accurate FocusURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 colour OLED display with built-in proximity sensor, 4-element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.
Multiple Power Options
Compatible with Industry Standard Batteries and PowerURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of 24V batteries from manufacturers such as BEBOB, IDX, Blueshape, Core SWX, SWIT and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.
Blackmagic OS
Powered by Blackmagic OSWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.
Digital Slate for Fast Metadata EntryURSA Cine features a digital slate so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot. You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more. All of the metadata is saved with the files for use in post production when editing and colour correcting with software such as DaVinci Resolve.
Wireless Bluetooth Camera Control
Easy Bluetooth ControlIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.
Includes DaVinci Resolve Studio
DaVinci Resolve StudioURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.
Included Peli Case
Comes Ready to ShootWith URSA Cine, you can buy a kit that comes with everything you need to get started on set, or you can buy a lower cost body only model and rig it with your own accessories. The kits come in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes pre-installed on the camera body, plus you get an interchangeable locking EF or LPL mount, depending on the model. You even get a massive 8TB Media Module preinstalled and ready to record. You also get a top handle, antennas for high speed WiFi, baseplate, power supply and B mount battery plate for quick set up. There’s even a kit that comes with URSA Cine EVF.
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| Instalment Rate: | 16.9% p.a. (fixed) |
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| Instalment Rate: | 16.9% p.a. (fixed) |
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| Instalment Rate: | 16.9% p.a. (fixed) |
| Cost of purchase: | £13,733.99 |
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