Blackmagic Design ATEM Micro Camera Panel
Blackmagic Design ATEM Micro Camera Panel, For Up To 8 Cameras
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Blackmagic Design - 'ATEM Micro Camera Panel'
Remotely control up to eight camerasIntroducing the Blackmagic Design ATEM Micro Camera Panel, a cutting-edge solution for professionals seeking high-end broadcast control in a portable format. This versatile panel empowers users to manage critical camera settings such as iris, pedestal, shutter, white balance, master gain, and RGB balance with precision and ease. Capable of controlling up to eight cameras simultaneously from a single interface, the ATEM Micro Camera Panel ensures seamless operation whether you’re in the studio or on location. Connecting effortlessly to the ATEM Software Control via Bluetooth or USB-C, it delivers the ultimate flexibility and functionality for any production environment.
Works With Blackmagic Studio, URSA Mini And Broadcast Cameras
remote camera controlATEM Constellation works with the latest Blackmagic SDI cameras that have studio camera features that you can remotely control! This means you get a remote camera control, tally indicators and a DaVinci colour corrector built in. All control is via the switcher aux output connection to the camera PGM SDI input, allowing you to broadcast control commands from the switcher to the camera with a single SDI cable! That means you can remotely control settings in the camera plus focus, iris and zoom on supported lenses. Pocket Cinema Cameras include a DaVinci primary colour corrector so you get more than simple CCU controls as you can also do a full-color grade in the camera for a cinematic look!
Control Blackmagic Pocket Cinema Cameras
One person can control up to 8 cameras at the same timeWhen working on live production, all of the cameras must be matched with proper colour balance so that you get a consistent look as you cut and transition between the different cameras. The ATEM Camera Control Panel features 4 individual camera controllers while ATEM Micro Camera Panel allows you to choose between up to 8 cameras in one panel. When used with a larger number of cameras, it's very quick to change which camera you control on each CCU channel. On ATEM Camera Control Panel, each camera controller includes an LCD screen with soft buttons and knobs. Both panels feature a full set of traditional CCU controls, so you always get a clear indication of the camera state.
Scene And Camera Controls
camera settingsThe top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital when you are working in conditions where the light can change during your job such as daylight, and with these settings, you can quickly adjust cameras based on changes in the scene. Controls in this section include master gain, ND filters, white balance, shutter speed and more!
White BalanceQuickly get the perfect white balance by triggering the camera’s automatic white balance feature.
Load ScenesSave and recall scene presets, perfect when you do regular work with the same conditions each day.
Master GainBoost sensitivity of the sensor as conditions become darker or when more depth of field is needed.
ND FiltersChange the density of the electronic ND filter on compatible cameras.
Shutter SpeedSet the shutter speed of the camera and a slower shutter speed can also boost brightness in dark conditions.
Colour BarsSelect to output colour bars for the selected camera. Colour bars are very useful when setting up for a new job!
Gain And Pedestal Controls
independent RGB controlsThe centre section features independent RGB controls for adjusting the camera colour for the white and black parts of the image. Because the Blackmagic cameras with studio features have a full DaVinci Resolve primary colour corrector built in, you have amazing control over the colour in the camera. These red, green and blue controls for adjusting blacks and whites mean you can accurately match multiple cameras, which is vital for cutting seamlessly without colour shifts. One trick experienced camera control operators use is to only adjust the red and blue channels, so you can add and remove red and blue tint without getting too far away from accurate colour!
White BalanceIndependent RGB controls for adjusting the white part of the image.
Black BalanceIndependent RGB controls for adjusting the black part of the image.
Lens And Iris Controls
high-quality professional joystickThe lower section of the panel is where the most used controls are located and features a large easy-to-read camera number that highlights red when the camera is on air! The main control for operating the cameras is the high-quality professional joystick that’s used to precisely adjust the iris when moved up and down, and the master black when the knob is rotated. This is the same type of control that's used on camera control units used in broadcast, so you get a true professional user interface. There’s also a call button for communicating with the camera operator, along with a panel lock button and indicators for the network, power and cable connection to the camera.
Iris ControlJoystick for adjusting iris and master black. Move up and down for iris, rotate for master black and push for monitoring.
Coarse ControlTo stop the iris from becoming too sensitive with different lens types, you can reduce the adjustment range.
Lock ControlsTo ensure you don't accidentally bump the camera adjustment, you can lock the iris and master black control.
Master BlackThis indicator provides feedback on the amount of master black adjustment applied to the remote camera.
Panel ActiveIf you have setup a perfect color match between all of your cameras, then you can lock all panel adjustments.
Status LightsOn ATEM Constellation, these lights indicate status of network and SMPTE fiber camera connections.
PreviewUsed for switching the camera feed to an aux video output, so you don’t have to push the joystick.
Camera NumberBig camera number display shows you what camera is assigned to each channel and turns red when on air!
Call ButtonFlashes tally light on the camera to get the attention of the camera operator that you need to talk to them.
Expand Your Production Workflow
Works seamlessly with all ATEM control panelsAdding an ATEM Camera Control Panel to your ATEM Constellation is easy as all the network settings have been assigned for you, so you can simply connect directly from the ATEM Camera Control Panel to the switcher’s Ethernet connection. The ATEM panels feature loop through Ethernet connections so you just loop through the panels. Because Ethernet is a network, you can interconnect multiple ATEM Camera Control Panels with the ATEM Advanced Panels to complete a customized and professional broadcast production studio. On the ATEM Micro Camera Panel, you connect via USB-C or Bluetooth. Plus, if you're doing location work, you can move the panels between any ATEM switcher model for different types of jobs.
