Black Lion Audio Revolution 14x16 USB-C Audio Interface
Black Lion Audio - Revolution 14×16, 14-in/16-out USB-C Audio Interface
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14-in/16-out USB-C Audio Interface
Black Lion Audio - Revolution 14×16
Studio grade connectivityThe Revolution 14×16 is a class-compliant, 14-in / 16-out USB-C audio interface that provides outstanding Black Lion Audio audio quality, supreme clocking, and a robust suite of monitoring features unheard of in a 1U audio interface. It’s expandable via ADAT for additional I/O; with superior connectivity for your external processors; and even includes two channels of Black Lion Audio-designed Auteur preamps. The unique Mix Edit feature lets you create a custom headphone mix for its three crystal-clear headphone amps. Patented Macro-MMC clocking ensures that any hardware you sync to your Revolution 14×16 will sound its absolute best.
Channels 1 and 2 of the Revolution 14×16 proudly feature Black Lion Audio’s Auteur preamps, which until now have only been available in their standalone preamp hardware. Auteur preamps deliver the best of both worlds of classic preamp designs — at lower gain levels, you get the fast attack of American-style preamps; a fantastic compliment for drums and rhythm guitar. Crank up the gain a bit, and you’ll get the warmth and colour of classic British preamps, which can be particularly flattering to vocals and bass. You can access the Auteur preamps by connecting to either the front or rear Channel 1/2 inputs. Auteur preamps are transformer-coupled like classic consoles of yore; Cinemag transformers are responsible for the added harmonic weight and saturation when pushed.
at a glance
• World-class clocking and low-noise conversion
• Cinemag transformer-driven Auteur preamps
• 8 channels of input and output over ADAT
• 4 switchable send/returns
• Macro-MMC clock
Unrivaled Connectivity and Expandability
plays well with othersYou get four mic/instrument preamps; channels 1 and 2 can be accessed from either the front or back of the unit. You also get 4 switchable insert/returns for connection to external hardware processors; you can A/B your signal at the touch of a button. The Return connections double as Line inputs for keyboards, synths, and other line-level devices. You can even use the Revolution 14×16 as a standalone mic preamp with no computer connection, thanks to the Insert/Return connections.
A secondary set of user-definable Analogue Outs let you route two analogue signals wherever you like. S/PDIF connections round out the package for connection to digital devices, and the Revolution 14×16 is readily expandable with an additional 8-in and 8-out over ADAT.
Versatile Monitoring and Metering
pristine soundRevolution 14×16’s three crystal-clear, plenty-loud headphone amps let you and your collaborators produce music without worrying about feedback from your mains. Use the simple Mix Edit feature to quickly create a dedicated low-latency headphone mix from both hardware inputs and software playback.
Revolution 14×16’s bright, eight-stage metering can be set to monitor Channel input levels, output levels, or even the input levels of the rear-mounted Channel Inserts. The main Monitor and Headphone Outputs are mono-summable.
Shocking Clocking
graciously accepts clock inRest assured that your connected devices will run in perfect sync with the Revolution 14×16 thanks to patented Macro-MMC clocking. Macro-MMC was developed from our experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces.
You’ll get the best possible performance from its converters, and anything you connect via the BNC connections will benefit from maximum sync and ultra-low jitter; minimizing the phase distortions that can muddy your high-end and dull your transients.
Spared No Expense
an audiophile’s dream!Black Lion Audio put years of knowledge and experience into the creation of the Revolution 14×16. Modded out of the box with crystal-clear audio that will move you and your listeners. Highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination.
And for the best possible capture and playback, Revolution 14×16 sports over two dozen high-end, hard-to-get Vishay, Wima, and Nichicon capacitors and thin film resistors.
All internal gain-staging is optimized for the best signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced — right to the very core of the converter — for even further noise reduction.
All the Software Tools You Need
includedThe Revolution Software Suite covers all of your software needs so you can start creating from day one. You’ll record straight into the award-winning Studio One Pro, a ton of other valuable software is also included.
PreSonus
Studio One Pro+Recording and music production DAW, plus all the extras. (90 days)
Sonarworks SoundID
Reference for HeadphonesHeadphone calibration software. (90 days)
Audified GK
Amplification 3 LEBass amp modeler of legendary Gallien-Krueger amps and cabs.
Audified
MixCheckerMix checking plug-in with playback device emulations.
Psychic
Modulation EchoMelt3BPM-based modulation and echo.
Introducing the Revolution 14x16 USB-C Audio Interface!
The Tech Spec
Features | Specification | Mic Input - Auteur preamps (Channels 1 & 2) | Input Impedance = 6.1 kΩ maximum input level @ gain min = +6.487 dBu maximum input level @ gain max = -53.513 dBu Frequency Response: frequency response 20hz to 20kHz @gain min (input level -1 dBFS) = +/-0.052dB Frequency Response: frequency response 20hz to 20kHz @gain max (input level -1 dBFS) = +/-0.143dB THD + N @ 1 kHz @ gain min (bandwidth 20hz-20kHz, un-weighted, (input level -1 dBFS) = 0023653% SNR @ 1 kHz @ gain min (bandwidth 20hz-20kHz, A-weighted, (input level 0 dBFS ) = 111.263dB Dynamic Range @ gain min (bandwidth 20hz-20kHz, A-weighted -level 0 dBFS) = 106.998 dB Crosstalk = -90.991 dB |
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Mic Input - Revolution preamps (Channels 3 & 4) | Input Impedance = 2.08 kΩ maximum input level @ gain min = +8.116 dBu maximum input level @ gain max = -46.54 dBu Frequency Response: frequency response 20hz to 20kHz @gain min (input level -1 dBFS) = +/-0.021 dB Frequency Response: frequency response 20hz to 20kHz @gain max (input level -1 dBFS) = +/-0.022 dB THD + N @ 1 kHz @ gain min (bandwidth 20hz-20kHz, un-weighted, (input level -1 dBFS) = 0.0010273% SNR @ 1 kHz @ gain min (bandwidth 20hz-20kHz, A-weighted, (input level 0 dBFS ) = 107.975 dB Dynamic Range @ gain min (bandwidth 20hz-20kHz, A-weighted -level 0 dBFS) = 111.010 dB Crosstalk = -90.991 dB |
Line Input | Input Impedance = 20 kΩ Maximum Input (maximum input level @ gain min) = +16.2 dBu Frequency Response = +/-0.025 dB THD + N = 0.00187% Dynamic Range = 111.412 dB Crosstalk = -117.026 dB |
Line Outputs - Main Outputs | Output Impedance = 47 Ω Max Output Level = +16 dBu Frequency Response = +/-0.095 dBu THD+N = 0.00081% Dynamic Range = 109.225 dB |
Line Outputs - Outputs 3 & 4 | Output Impedance = 200 Ω Max Output Level = +16 dBu Frequency Response = +/-0.095 dBu = HD+N = 0.00081% Dynamic Range = 109.225 dB |
Instrument Input | Input Impedance = 1 MΩ Gain Range = 59.2415 Frequency Response = +/-0.051 dB THD + N = 0.00491% Dynamic Range = 106.135 dB Crosstalk = -98.017 dB |
Headphone Outputs | Output Impedance = 20 Ω Maximum Signal Output = 2.652 Vrms Frequency Response = +/-0.116 dB |