HOYA 52mm Mist Diffuser Black No1 Lens Filter
HOYA 52mm Mist Diffuser Black No1 Lens Filter, Grade 1 Dissussion, Optical Glass
HOYA - '52mm Mist Diffuser Black Filter'
No1
Like a Scene from a MovieThe HOYA 52mm Mist Diffuser Black No. 1 Filter is designed to transform your photography and videography by adding a soft, cinematic glow to your images. By diffusing light sources, this filter creates a beautiful "blooming" effect around highlights, enhancing the visual appeal with a gentle reduction in contrast, especially in the shadows. Perfect for achieving a romantic, film-like look, it smooths out wrinkles and skin blemishes, providing a softer finish. Constructed with fine black nano powder between two layers of optical glass, it ensures clarity and detail while offering a distinctive mist effect, ideal for creating mood and atmosphere in your shots.
About The Series
soft-type filterThe Mist Diffuser Black is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the Mist Diffuser Black is that you can obtain cinematic textures on the spot, without retouching.
Type No0.5 & No1
diffusing effectsThe Mist Diffuser Black No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.
In Video & Cinema
cinematic effectThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.
The Mist Diffuser Black also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.
Features
IMPRESSIVE LIGHT IN NIGHTSCAPEThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the Mist Diffuser Black does not whiten the image.
SMOOTHENS SKINThrough its soft-effect, the Mist Diffuser Black smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.
Scenes
Fantastic sunlight filteringIn landscape photography, the MIST DIFFUSER BLACK can create an impressive atmosphere through diffusing sunlight. Works especially well with sunlight coming through a tree crown.
Cinematic sunsetsEven with backlighting, the contrast between highlights and shadows are softened without whitening the image. The filter softly blurs the light around the object and creates a mood characteristic of black mist.
Comparison
NightlifeIn nightlife street photography, both No0.5 and No1 can be used. If there are light sources close to the camera, the diffusing effect of No1 may turn out too strong, so the No0.5 is in such a situation more suitable.
NightscapeIn nightscape photography with light sources far away, the effect of No0.5 might be a little bit too subtle. The No1 will achieve a clearer effect in such a situation.
BacklightingIn settings with backlighting, the choice of the filter depends on the strength of light. With strong backlighting, the No0.5 tends to be the preferred filter. With a weak backlight, the No1 is recommended to make the effect more visible.
Low LightIn low light situations, like a tree in the shadow in the example above, the No1 is recommended to achieve an effect that will stand out more clearly. For photographers who prefer a subtle effect, the No0.5 will be a better fit.
Tips
1.Mist Diffuser Black No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations.
2.The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side.
3.The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed.
4.The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ.
5.The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.