Presonus Quantum 2626 Thunderbolt 3 Audio Interface
Presonus Quantum 2626, Thunderbolt 3 Ultra Low Latency Interface, 26x26, 24-bit, 192kHz, 8 XMAX Mic Pres, MIDI I/O
Email me when the availability or price changes
Frequently Bought Together
Thunderbolt™ 3 Audio Interface
PreSonus - 'Quantum 2626'
The Speed of Sound With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the “fastest audio interfaces on the planet.” Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its best—whether you’re recording with or without your favorite plug-ins engaged in real-time.
Audiophile-Grade Digital Converters, Low-Jitter Clocking, and Transparent Preamps
The Quantum leapIndustry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio’s size, Quantum audio interfaces will streamline your recording process.
Deep Lows, Smooth Highs, and a Rich Overall Sound
Timeless audio
Every design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency.
Cutting-edge 24-bit,192 kHz converters with 115dB of dynamic range and superior low jitter coupled with our ultra-transparent, pure analog XMAX preamps result in superb audio quality with the lowest round-trip latency of any audio interface available.
Superior SoundAudiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording.
High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
Expansive audioImpressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface’s ADAT/dual S/MUX ports.
Award-winning recording software included
Studio One Artist music production software includedWhile compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.
Includes Studio Magic Plug-in SuiteThis suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.
The Tech Spec
| Microphone Preamp | Type | XLR Female (via Combo), Balanced |
|---|---|
| Maximum Input Level | +10 dBu (Balanced, min. gain) |
| Gain Control Range | 60 dB |
| Frequency Response | 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz) |
| Dynamic Range | > 110 dB (A-wtd, min. gain) |
| Total Harmonic Distortion | < 0.005% (1 kHz, min. gain) |
| EIN | < -131 dBu (max gain, 40Ω, 22 kHz BW, A-wtd) |
| Input Impedance | 1.6 kΩ |
| Phantom Power | +48V, > 8 mA per input |
| Instrument Inputs | |
| Type | ¼” TS Female (via Combo), Unbalanced |
| Maximum Input Level | +15 dBu (Unbalanced, min. gain) |
| Gain Control Range | 60 dB |
| Frequency Response | 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz) |
| Dynamic Range | > 106 dB (A-wtd, min. gain) |
| Total Harmonic Distortion | < 0.005% (1kHz, min. gain) |
| Input Impedance | > 1 MΩ |
| Line Inputs | |
| Type | ¼” TRS Female (via Combo), Balanced |
| Maximum Input Level | + 18 dBu (Balanced, min. gain) |
| Frequency Response | 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz) |
| Dynamic Range | > 118 dB (A-wtd, min. gain) |
| Total Harmonic Distortion | < 0.005% (1 kHz, min. gain) |
| Input Impedance | 10 kΩ |
| Main and Line Outputs | |
| Type | ¼” TRS Female, impedance balanced, DC Coupled (Line Outputs only) |
| Maximum Output Level | +18 dBu (Balanced) |
| Frequency Response | 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz) |
| Dynamic Range | > 118 dB (A-wtd) |
| Total Harmonic Distortion | < 0.0035% (1 kHz, +4 dBu) |
| Output Impedance | 51Ω |
| Headphone Outputs | |
| Type | ¼” TRS Female, Stereo, Unbalanced, x2 |
| Maximum Output Level | 175 mW/channel (56Ω load) |
| Frequency Response | 20 Hz to 20 kHz (±0.5 dB, 48 kHz) |
| Dynamic Range | > 110 dB (A-wtd) |
| Total Harmonic Distortion | < 0.03% (1 kHz) |
| Headphone Impedance | 16Ω to 300Ω |
