Scan code: LN99669 Manufacturer code: MOG-ONE-002-03

Moog - 'One' 16-Voice Polyphonic Synthesiser

Moog - 'One' Synthesiser - Tri-Timbral, 16-Voice Polyphonic, Analogue Dream-Synth, 61 Keys

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Scan code: LN99669 Manufacturer code: MOG-ONE-002-03
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Moog - 'One'
16-Voice Polyphonic Synthesiser

moog one

The Ultimate Moog Synthesizer

The Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analogue dream-synth designed to inspire imagination, spark creativity, and unlock new worlds of sonic possibilities. The first polyphonic analogue synthesizer sold under the Moog name in over three decades, Moog One is a result of years of research and has been designed to exceed principal expectations of a polyphonic Moog instrument.

Available in both 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is made on the most powerful synthesizer architecture ever used by a Moog instrument. Per voice, Moog One gives 3 newly-designed analogue VCOs, 2 independent analogue filters, a dual source analogue noise generator, analogue mixer with external audio input, 4 LFOs, and 3 envelopes. Each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, with its own sequencer, arpeggiator, and onboard effects library, to give you a continuously inspiring performance experience along with including a suite of professional reverbs from Eventide®.

61 KeysKeybed


16 VoicesPolyphony

At A Glance • 3 newly-designed analogue VCOs, 2 distinctive analogue filters, and a dual source analogue noise generator
• Extensive modulation and effects processing, with a suite of professional reverbs from Eventide®
• Available in 16 and 8 voice configurations

An Unprecedented Conduit For Expression

moog one

Craft, shape & transform your own soundEnclosed in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel features with 73 knobs and 144 buttons, offering physical connection with every sound shaping and performance control. Additional functionality is easily accessible using a per-module “More” button that being extra parameters into focus using the Moog One center-panel LCD to provide the most transparent and immersive sound creation experience ever.

Triangle Core Oscillators

moog one

beyond traditional designEvery Moog One uses three newly developed triangle core analogue VCOs. Each oscillator output is a user-defined mix of the selectable triangle / sawtooth wave, along with a variable-width pulse wave.

Going beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be adjusted and modulated to create to a rich palette of classic analogue tones.

Combining the tri/saw and pulse waves together opens new dimensions of harmonic capabilities, creating complex waveforms not often found in analogue synthesizers. The Moog One oscillator section also features hard sync, analogue ring modulation, and FM for boundless analogue sound generation.

Synth Effects, Master Bus Effects & Eventide® Reverbs

moog one

fully analogue signal pathMoog One comes with a growing library of programmable per-synth effects and master bus effects, including chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide®, such as: Blackhole, Shimmer, Plate, Room, and Hall. Effects can be used in two ways: as Synth Effects and Master Bus Effects.

Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be enabled by sends to all three synthesizers. Although its onboard effects are digital, Moog One maintains a fully analogue signal path with no in-line conversion when insert effects are off.

Tri-Timbrality & Unison Mode

moog one

Multitimbral synthesisMade up of three independently addressable analogue polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. Each synthesizer is also equipped with its own fully-featured step sequencer, arpeggiator, and effects processor.

Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. You can also select multiple layers at once for simultaneous editing of multiple synthesizers.

Presets & Performance Sets

moog one

Enhanced CreativityEach Moog One preset is a self contained creative area, saving the parameter settings for all 3 layers of timbrality, along with all of their respective sequencer, arpeggiator, and modulation settings.

Moog One can easily store and recall tens of thousands of presets that can be categorized, edited, notated, and even shared using a USB drive.

Up to 64 Presets can also be loaded to Moog One’s ‘Performance Set’ module, where they are instantly selectable by a front panel “Bank / Preset” button configuration—a must for live performance and sessions.

Amazing Features

moog one

DUAL SOURCE NOISE GENERATOREvery Moog One voice features an advanced dual-source analogue noise generator that enables different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module incredibly useful when adding percussive attacks, breath, or full-body impact to a sound.

LOW FREQUENCY OSCILLATORSCyclical motion within Moog One is created by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more.

ENVELOPESDynamic sound shaping within Moog One comes using its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). Along with looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves.

MIXERMoog One includes flexible analogue mixer, providing volume controls and filter routing selections for every oscillator, noise generator, ring modulator, and external audio input, sound sources can be shaped by different filters individually, or at the same time.

LADDER & STATE VARIABLE FILTERSThe Moog One features two types of analogue filters in. The first is a newly-designed multimode State Variable Filter that provides razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can generate sounds together or on their own, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds.

MODULATIONCreate modulation assignments eaisly from any of Moog One’s 4 LFOs and 3 EGs by selecting their corresponding Destination Button, the next knob touched sets the modulation path and amount. For more diverse modulation options, Moog One also uses an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components.

KEYBOARD & X/Y PADMoog One’s premium 61-note Fatar TP-8S keyboard with velocity and aftertouch offers a balanced and dynamic playing experience for any user. Milled aluminum pitch and mod wheels and a pressure-sensitive X/Y pad also give you a fully assignable means of emotive expression and continuously variable control.

USER SPACESPreserving more than just presets, the User Space saves all of the global behaviors, MIDI settings, port and pedal configurations, knob behaviors and even the LED brightness of your working environment, which is crucial for studios and working musicians. Multiple User Spaces can be created, saved, and recalled, either from internal memory, or from an external USB drive, allowing you to instantly transfer your creative work spaces from one instrument to another.

SNAPSHOTSWhen creating a sound, pressing the Snapshot Button allows Moog One to simply capture and recall a time-stamped picture of a preset at its current settings, removing the need to continually save data manually while working with new ideas.

MORE BUTTONAlmost every module is equipped with a triangular “More” button in the upper right corner. When “More” is pressed, the Moog One LCD screen reveals additional parameters specific to that module, accessing deep-level features and advanced controls.

ANALOGUE & DIGITAL CONNECTIVITYMoog One’s rear panel includes 2 assignable pairs of stereo audio outputs, 4 assignable inserts, and 2 external audio inputs with support for XLR and ¼” input. MIDI communication is enabled by 5-pin DIN and USB connection, and also supports system backup and restore via USB drive. 9 configurable CV inputs and outputs (with expression and sustain pedal inputs) are also included.

Moog One - A Meditation On Listening

The Tech Spec

Features Specification
Synthesizer Type Polyphonic, Tri-timbral Analogue Synthesizer Sound Engine Analogue (Digital Effects can be bypassed to maintain analogue signal path) Polyphony 8 or 16 voices Keybed 61 Full-size keys with Velocity and Aftertouch (Fatar TP-8S) Controllers Pitch Wheel, Modulation Wheel, X/Y Pad (with pressure-sensing and hold), Sustain Pedal input, EXP 1 pedal input, EXP 2 pedal input – all pedal functions are assignable Panel Controls 73 knobs and 144 buttons; LCD screen Oscillators (x3) Selectable Sawtooth wave with variable reset time or Triangle wave with variable rise and fall times, variable-width Pulse wave, Octave (32’, 16’, 8’, 4’, 2’), Frequency (+/- 7 semitones), Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selected Triangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync Ring Modulator Selectable routing (1-2 or 2-3) Dual Source Noise Generator Selectable sources (Red+White, Red+Purple, and White+Purple) with Color Mix and dedicated ARS envelope Mixer Independent levels and filter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT in. Filters State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation) State Variable Two 12dB per octave filters operating as one filter, configurable in NOTCH, BP, LP, and HP – with 12dB or 24dB slopes; Cutoff, Resonance, etc. Ladder Filter Moog Ladder Filter with HP or LP options, and selectable filter slopes (6db, 12db, 18dB, or 24dB); Cutoff, Resonance, etc. Envelopes (x3) Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus multi-triggering, looping, latching, and sync LFO's (x4) Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse, Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count, phase start, etc. Glide Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando Arpeggiator Per SYNTH with octave range, pattern, direction, pendulum features, gate time, sync, etc. Sequencer 64-Step per-SYNTH sequencer with step-editing and modulation capabilities Dimensions Dedicated in-line effect for SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged, the signal path is 100% analogue) Synth Effects Dual mono sends with stereo return, or single stereo send with stereo return. (Accessible by all three SYNTHS - Eventide® Reverbs are available on the Master Bus only) Browser Stores tens of thousands of PRESETS and TIMBRES with definable Categories, Tags and Labels to aid search results. TIMBRES can be loaded to and played by any SYNTH Perforance Sets Create, save, and manage up to 128 Performance Sets offering single-button access to up to 64 PRESETS Settings Access to pages for managing Libraries, Tuning features, plus Utilities such as updates, configuring ins and outs, etc. Mod Matrix Provides the ability to map modulation sources to destinations at will, using either controllers or addressable transforms to articulate the modulation signal Voice Allocation Mono or Poly voice count per SYNTH, unison/mono detune (48 oscillator max.), Chord Memory, plus voice stealing/sharing options Snapshot Compare Built-in tools for saving and comparing during programming VCA Section VCA level per SYNTH, Pan per SYNTH Output Section Master Volume and Headphones volume controls Audio Outputs Main L, Main R (1/4" TRS; TS compatible) Sub Outputs Sub 1, Sub 2 (1/4" TRS; TS compatible) Audio Inserts Insert 1, Insert 2, Insert 3, Insert 4 (1/4" TRS Send / Returns- Can be used as mono outs) External Mic/Line Input XLR + 1/4" TRS combo jack with trim knob External Line Input 1/4" TRS (TS compatible) Headphones 2x Stereo 1/4" jacks (located on the front edge of the Left Hand Controller) Control Voltage Inputs CV IN 1, CV IN 2 (1/4" TS) Control Voltage Outputs CV OUT 1, CV OUT 2, CV OUT 3, CV OUT 4 (1/4" TS) Pedal Inputs Sustain, EXP 1, EXP 2, (1/4" TRS; configurable through the Modulation Matrix, or as CV Inputs.) Weight 45 lbs. / 20.4 kg (approximate) Dimensions (W x D x H) 42 x 20 x 7 (inches); 107 x 51 x 18 (cm)
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Additional Information
Scan Code LN99669
Model Number MOG-ONE-002-03
GTIN 00040232238925

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12 months
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Moog - 'One' 16-Voice Polyphonic Synthesiser
Moog - 'One' 16-Voice Polyphonic Synthesiser