** Scan Exclusive - ADAM F7 2-Way 7" Nearfield Studio Monitors (PAIR) and Iso Acoustics L8R155 Speaker Stands (Pair) Bundle **ADAM F7 2-Way 7" Nearfield Studio Monitor
The F7 offers all the features you want to see in a professional studio monitor: a broad frequency range (44Hz - 50kHz) plus comprehensive control.
The monitor is equipped with a Room Equalizer for high (> 5kHz) and low (< 300 Hz) frequencies and an overall volume control on the rear panel.
A high pass filter (to be used in conjunction with a subwoofer) and XLR/TRS/RCA inputs complete the professional functions of the F7.
The F7 is driven by two A/B class amplifiers with 100W RMS / 140W Music. This helps the monitor to provide a vibrant, deep bass and a maximum SPL of 109dB per pair.
The reproduction of dynamically challenging tracks should not be a problem with this powerhouse.
The F-Series - Professional Monitoring for Everyone
For music lovers, musicians and first and foremost for sound engineers and producers, good speakers should be like good friends.
At best they are sincere and would not hide anything from you. In recording or mixing sessions it is vital to hear the slightest shade within the sound in order to be able to make adjustments.
Only with that you will be able to record that perfect take or create the perfect mix.
We at ADAM Audio are commited to loudspeakers that are capable of reproducing recordings clearly and precisely. Since the company's founding year in 1999 we have produced a number of monitors that have been highly praised worldwide by well-known producers and recording engineers.
Awards and excellent magazine reviews underscore the innovative sound characteristics of our monitors.
The element mainly responsible for the natural sound of ADAM loudspeakers is our proprietary X-ART tweeter.
Handmade in Berlin, Germany, it performs with a nearly flat frequency response reaching up to 50 kHz.
The new F series, consisting of the two active nearfield monitors F5 and F7 and a dedicated subwoofer, the SubF, is designed in the continuing tradition of the legendary ADAM professional monitors.
The aim is to focus on the essence of a monitor, i.e. precise and natural sound reproduction at a new, lower price point.
With the new F series you are able to have the same great tools the world's best producers and mastering experts rely on for their daily studio work.
The extraordinary clarity of the X-ART tweeter paired with the powerful bass reproduction of the woofer make these speakers very attractive for a number of applications.
Be it an expressive monitor in your home recording studio or on your desktop, the new F series is an ideal entry to the world of Pro Audio.Iso Acoustics L8R155 Speaker Stands
IsoAcoustics speaker stands are built with a unique, patented isolation technology that allows your speakers to "float" in free space, letting you hear authentic, uncoloured sound.
These ultimate speaker stands effectively eliminate energy transfer to surrounding surfaces. Bass becomes tighter. Overall imaging is enhanced. Your speakers perform to their full potential. And because ISO-L8R155 speaker stands also allow you to raise and tilt your speakers, tweeters are always at ear level, providing the optimal listening position.Click here to see what Pete from Scan Pro Audio thinks about them over at the ScanProAudio blog. Features
ADAM F7 2-Way 7" Nearfield Studio Monitor
• Handmade X-ART tweeter
• 7” Low/Midrange woofer
• 40W (RMS) / 55W (Music) class A/B amp (tweeter)
• 60W (RMS) / 85W (Music) class A/B amp (Low/Midrange)
• automatic Stand-by-circuit
• volume control
• 2 shelving filters (> 5kHz and < 300Hz)
• frequency range: 44Hz - 50kHz
• XLR/TRS combo + RCA input connectors
• 109dB max peak SPL per pair Iso Acoustics L8R155 Speaker Stands
The isolation and response of the audio stand is a function of the isolator's shape and its volume and durometer (hardness and density). Its opening, internal taper and concave end (void) result in a compliant element to contain the supporting tubes or rods. This allows the supporting tubes to move fore and aft, while resisting lateral and secondary movements and oscillations. As the speaker cone moves forward, the speaker enclosure tends to move back, as predicted by Newton's third law of reciprocating motion. Transducers, enclosure and upper stand section therefore move in a direction sympathetic to the sound source.
Speaker Stand Shape
Both top and bottom elements provide torsional rigidity for the overall speaker stand design while lending an attractive look. A definite rectangular shape helps define the front and back of the stand and aligns the polarized isolators with the speaker drivers.
Speaker Stand Bottom Element
The bottom element is the most visible part of the design, as longer tubes may be used to raise the upper element and speaker, while exposing the top surface of the element below. This frame, shelf or body section anchors the assembly with a strong, secure base. The isolators are inserted from the bottom, or unfinished side, with a complimentary shape in the molding so it can be inserted only in the correct elongated direction. The lower element sits on the isolator's shoulder and lower flange lip, with the collar protruding through the topside. This lower element does not come in contact with the supporting surface of the desk below. An elongated octagonal shape of the isolator is designed to establish the correct orientation with the speaker's drivers when inserted, as well as maintain the optimal mass of the resilient material around the tube opening.
Speaker Stand Upper Element
Isolators are inserted from the top, or finished side, with the flange and lip protruding from the upper element. Speakers sit on top of these flanges with their weight carried through the isolator, down the tubing, and into a lower section and flange of the bottom isolator, resting on the supporting surface. A cup shape of the flanges contributes to the compliance of the isolators while in compression, as well as providing a 'suction-cup" effect that resists movement or slipping of the stand and speaker. This is especially important when the upper section is tilted to optimize the speaker's orientation towards the listener.